Fix 11: Character Derailment

Today’s fix is brought to you by Neil Gaiman, if only because somehow reading hi TVTropes page gives me energy, and there’s a good chance of me talking a lot about Good Omens. So, let’s get to it.

 

Frankly, this topic’s more likely to apply to Fanfiction than anything else, but if you listen up you can probably learn a few things for your normal writing anyway. Character Derailment can affect your own characters in roleplays or in your own writing. Please keep this in mind.

 

Now, Character Derailment is when you have a character that suddenly starts acting differently to what has been previously shown to be their character, and I do mean suddenly. In fanfiction this pretty common in BL (or Boy Love, Shonen-ai, whatever you feel like calling it) where one character suddenly has to be the girl. Character Derailment is a common trait of a Mary-Sue story (for the sullen love interest suddenly turning ‘good’ because of the Sue) or even of the Mary-Sue (see Cannon-Sue). If the character suddenly starts acting in a way that it is not like them then you have a problem.

 

I’m currently in a Yu Yu Hakusho RP with one of my closest friends. I’m playing Hiei for her (and I always play Hiei, I’ve just never been very good at it, since me and Hiei have never really been on the best terms). It ends up this way because my OC is Kurama love interest/torturer (It’s complicated). She was originally Hiei’s love interest who was supposed to hate Kurama, and then she rebelled and I couldn’t stop her. Either way I am not having a good time with Hiei because I see him as literally being asexual aside from Mukuro. Getting him to be interested in a High School girl has been… interesting. The good thing about RPs (or this one especially) is that we said from the outset that Mary-Sues are okay as long as it’s fun. We’ve now branched out into side characters, so it seems like it’s going pretty well.

 

My problems with Hiei have worked out because I’m not trying to write him for a fanfiction. I’ve been writing a couple of Karasu fanfictions. For reasons I can’t explain even to myself I’ve been in love with the bomb nut since I first saw him. I’m starting to get the idea that it’s because I have an attraction to serial killer characters… as characters but not as real people. In any case I’m having the worst time with him because the version in my head has folded off his arms and decided to go one way that seems contrary to his in cannon personality. My only goal going into writing him was that I wanted to write a non-Kurama based Karasu fic that wasn’t just straight angst and rape (since that’s all his stories seem to be, and I’m sick of it). I’ll admit to my own character derailment, mostly due to the misfortune of my characters running off however they want once I give them free reign, and as I already have two OC characters based of Karasu it was pretty damn easy for him to go insane in my brain.

 

(Side not: yes, I do talk about my characters like they’re real people. I know other writers who do this, but it’s a little bit like having split personalities, except that you know they aren’t real and only live in your mind and they never control you… on the other hand you can’t control them much. You only think that you have control. No, this is not an excuse to simply write whatever, saying your characters did it, but we’ll get to that later.)

 

Character Derailment doesn’t have to be bad per say, that is if you’re going an AU story. I knew someone who wrote a Beyblade/Harry Potter crossover where “Ron” was a Death Eater, and the real Ron was actually Tala. Don’t ask how it worked, but it was interesting. For Ron, yes there was huge Character Derailment, but the writer was spot on for Tala, which made the whole thing actually work when it otherwise shouldn’t have worked at all.

 

I mentioned earlier that BL stories are bad for Character Derailment. This is part of why I think they’re boring. Frankly a gay couple doesn’t need a ‘boy’ and a ‘girl’. There are those that probably fit that stereotype, but sometimes there are two girly-girls, and sometimes you have two strong men. The problem with BL is that to ‘make it work’ the writer has to change the personality of one of the characters.  It doesn’t have to be this way.

 

A couple of weekends ago after finishing Good Omens and secretly wishing I’d created Crowley so I could write him forever I went looking through the fandom. In one weekend I was reminded why I no longer read BL nor PWP… because it’s damn boring (the PWP) or they don’t stick to the character (both). If I have to find one more thing where Aziraphale is pathetic I’ll start banging my head against a table.

 

I’m currently working on a short writing experiment (after having discovered that me and my friends basically created an Aziraphale and Crowley about four years ago) with the problem that instead of having a weak Aziraphale I have a weak Crowley (or weaker). I’m working on it, but I’m also keenly aware of it.

 

A lot of the problem with Character Derailment is that the writer gets in their head their version of a character and end up unable to write anything else. I’m more able to read such things because I can understand “oh, this is well written and understandable for X’s version of this character.” Sometimes I just get tired of having to explain things for the writer. No, not everyone will get the character they’re writing about. I know someone who understands Seto Kaiba really well, but he’s written that character for about six years. It takes time to come into any character, especially someone else’s character.

 

So, what can be done?

 

Honestly, the biggest thing you can do is discuss and practice. The reason why your teachers make you write papers is because in doing so you organize your thoughts, make clear statements, and will probably defend that idea a lot stronger after you’ve spent all that time finding proof for your theory. You’ll also remember it better. I spent a weekend discussing Karasu with a couple of people who write the character really well (if very different from how I do). It was good for me because it forced me to find my own version and interpretation. It also made me realize that with a character with so little known about them it’s easier to come up with varying ideas about them. On the other hand you can have varying ideas about a main character depending on what you choose to accentuate from their character. As long as you don’t forget (or can’t properly explain why you’re ignoring) a part of the character’s specific background and personality just about any interpretation is valid.

 

If you want to get good at a character you should discuss them with other people, and you should practice writing as them. You should do both of these a lot. You also shouldn’t be afraid to give them an OC to bounce off of, as long as it makes sense. For Karasu I let him bounce off of OCs, but only if they end up dead in the end. The thing you have to remember about fanfiction is that what people want is to read more about their favorite characters, that what they can read or see simply isn’t enough. They haven’t been completely satisfied yet. There are theories that fanfiction is a female reaction to a mostly male dominated media, sense there are higher rate of fanfiction for shows that don’t have a stronger female audience (see the difference between the number of Bones fanfics vs Grey’s Anatomy). But what the reader really wants to see is characters they like interacting.

 

There’s really not much wrong with writing your own version of a character, but honestly you go into reading a fanfiction to read about the cannon characters, don’t you? You have to remember your readers. The biggest and best way to get over Character Derailment is to focus on your audience and remember why they’ll want to read your story. Audience is everything, at least in this case that should be your mantra.

 

Okay, that’s enough for my sleep deprived brain to spit out for a while. Night all!